Sunday, October 12, 2025
Friday, October 10, 2025
Wednesday, October 8, 2025
Cancel Culture ~ Athenian Democracy / EZE, 2025
Lepers and Such
Ostracism, the Ancient Greek Way
Public Shaming, the Way of Cancel Culture
Socrates Martyred
On Cancel Culture
From Political Correctness to Cancel Culture
Accountability, Censorship, Punishment
Athenian Democracy
How Athenian Government Worked
Politic Psychology
Teaming for Value, Value for Teaming
The Republic on Art
Monday, October 6, 2025
Collage as Asemic Practice / EZE, 2025
On Collage
Collage often breaks the totality of representation by interrupting the expectation that image concerns singularity.
The genre-unified image of the collage typically reveals itself as more than the representation of a single image: it reveals itself, instead, as a shift in images or as a shift across images.
Collage often breaks the totality of representation by interrupting its unified construct of time, especially the sense that the image occupies space and time only as a single moment, thereby introducing multiplicity where one-ness is expected, especially where this one-ness is a genre-identified type of presentation.
The collage is typically a series of layers, which appear as un-unified and/or as differing over time, but which are encapsulated (and thereby unified) in the singularity of the presentation. The presentation, other than the time it takes for its audience to assess it, remains somewhat, but not entirely, fixed. Yet it is though this difference in image that the collage calls the supposed fixity of its own presentation into account.
Collage is an un-fixer of image.
Collage is drift.
Collage is an un-fixer of image-time as a single moment.
Collage un-fixes representation, making representation incomplete.
Collage is an obvious cover-up of gap.
History of Collage
Cubism
Cubists
Georges Braque
Pablo Picasso
Collage Asemic
Cecil Touchon
Through a Circular or Spiral Motion - For Jim Leftwich
Jim Leftwich
Writing as Collage Process
In art, collage often breaks the totality of representation by calling attention to its multiplicity.
What Makes Writing Identifiable as Collage?
Writing as an Artistic Process, Inferred
Sunday, October 5, 2025
An Asemic Direction of Between / EZE, 2025
Thanks to Cece Chapman for the following YouTube links for Adam Curtis.
An Interview with Adam Curtis
Notes:
Postscript on Societies of Control
Deleuze on Societies of Control
An Asemics of Epistemic Value / EZE, 2025
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Epistemic Value (Internet Encyclopedia of Philosophy)
Epistemic Value Monism (Zagzebski)
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On Epistemic Value ... (Miščević)
On Epistemic Value (Science Direct)
On Non-Epistemic Values (Science Direct)
On Epistemic and Non-Epistemic Values in Science (ETH Zurich)
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Formal Proof and Epistemic Value (Harris)
Epistemic Value of Proof (Weatherall, Wolfson)
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The Fact-Value Gap (Philosophy, et cetera)
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Toward an Anthropological Theory of Value (Graeber)
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Saturday, October 4, 2025
Thursday, October 2, 2025
An Asemics of Knowledge / EZE, 2025
Theory of Knowledge
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Types of Knowledge
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Asemics of Knowledge
Forgotten
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Knowledge as a Collection
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Scope of Knowledge
Epistemology
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Knowledge as Other than a Collection of Words
Timeline of Scientific Discoveries
Timeline of Historical Inventions
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Historical Timeline of Computable Knowledge
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On Learning as Other than a Mimicry of Language
High-Dimensional [Word] Prediction
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Wednesday, October 1, 2025
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