T1/2/3/box/

should [a xmas °@^h162wkjL] / differx. 2011

lotch

gical

tage

sub

REM, issue 2

REM Vol. 2, December 2011, is now online:
http://remmagazine.net/sieverts-issues/

and available for purchase at Lulu:

Colour Print:
http://www.lulu.com/product/paperback/rem-magazine-volume-2-december-2011/18778699

Black and White:
http://www.lulu.com/product/paperback/rem-magazine-volume-2-december-2011-bw-version/18778721

featuring:

Rosaire Appel, Carlyle Baker, Miriam Larsen-Barr, Eleanor Leonne Bennett, John M. Bennett, Michael Berton, John Bucklow, Valentina Cano, Stephanie Christie, Barnaby Dromgool, Raymond Farr, Carl James Grindley, Marco Giovenale, Mariangela Guatteri, Kristina Hard, Amelia Harris, Jeffrey Paparoa Holman, Kristina Jenson, Matt Margo, Joseph Musso, Vaughan Rapatahana, David Prescott-Steed, Massimo Sannelli, Fabio Sassi, Andrew Topel, Nico Vassilakis, Changming Yuan

ginemic

mim

New Exhibition in Aspen

See: http://ceciltouchon.blogspot.com/2011/12/installation-photos-from-quintenz-and.html

cpeak

beach language

PETRIFIED

M a s e r *

qui

Ue001_099Oe4

Typographic Skin (1), abstracted from Manipulation by Tony Cragg, from the Seeing Things exhibit at the Nasher Sculpture Center in Dallas, Texas

Typographic Skin (2), abstracted from Manipulation by Tony Cragg, from the Seeing Things exhibit at the Nasher Sculpture Center in Dallas, Texas

action writing, book 1

five

------:::::::

blinking

two pages

Bonding

Jack Keguenne 1983 - douleur de la poupée

Asemic dialect

fish in winter

Cutting edge variant

Asemic B+W

Rat race

netic: a Stuart Davis asemic

alfabyte

Latin U (Unicode 01010101)

Cyrillic с (Unicode 10001000001)

the alfabyte is a deconstruction of the coding process of writing on computers.
it is a series of handmade graphical representations of a selection of Unicode covering most of the Latin and the Cyrillic alphabets. it is being executed in dedication to Velimir Chlebnikov and for the love of my light.

if the reddish shape is perceived as being in front of the blueish it’s a zero, otherwise a one. thus the binary code for each letter is formed.

the whole sequence is to be read as a cinematographic (phased) view of the movement made by (one of) the sound(s) that is being coded by the letter, slowed down to execution time (= paint-time), sort of like the flight of a large bird across a vast steppe, taking snapshots each 300 feet.

In Reference

endless alphabets - thanks Marco

but this is really a code alphabet , not true asemic

wert1

Carrie Iverson

http://www.bullseyegallery.com/Artist-Detail.cfm?ArtistsID=365

http://www.wweek.com/portland/event-74840-carrie_iverson.html

Dotremont

http://gramatologia.blogspot.com/2007/10/dotremont.html

buzz buzz

Scratcher

asemic writing/ reflection

Asemic twister

we will never fear the happiness… / ekaterina zarkh. 2003

source: http://visual-poetry.tumblr.com/post/12030977333/we-will-never-fear-the-happiness-by-ekaterina

E

sur face

Clue

Asemic extractor