deer

pezzato

enthusiastically crowding the arena

breezy and upward reaching
© 2015 Jim Wittenberg All rights reserved

overflow

rkwz : accidental asemic

maze

scorpio

first rate I just gave them the score

first rate I just gave them the score
© 2015 Jim Wittenberg All rights reserved

block the stress signal

block the stress signal

© 2015 Jim Wittenberg All rights reserved

Grawlixes and the movies; Earl Hurd, 1917

 Bobby Bumps' Fourth (Earl Hurd, 1917) 
https://www.youtube.com/watch?v=iQCv-O3-QDY&index=14&list=PLH3kk91FHIVCDRQSrOwNcTjxzQ19784r7

Polly wants a cracker, but the expected cracker turns out to be a firecracker.
Grawlixes appear as stars, swirls and censorded (blanked) curses.

A silent film.

Grawlixes like stars and spirals do not replace sound. (see; programming with grawlixes).
However;
Most Grawlixes seem to have disappeared from the movies with the introduction of sound.

therefore it is likely that;

A. Grawlixes must have some relation with language
B. But not with spoken language

http://the-euclideanfly.blogspot.nl/search/label/grawlixes%20and%20the%20movies

but we don’t yet know why

but we don’t yet know why
© 2015 Jim Wittenberg All rights reserved

can that much more to the present

can that much more to the present
© 2015 Jim Wittenberg All rights reserved

assembly

protocol

zaz

fair and equal place for all of us to live

fair and equal place for all of us to live
© 2015 Jim Wittenberg All rights reserved

Outlet

Further down the road

ENOUGH SAID

found out they were all there for the singalong

found out they were all there for the singalong
© 2015 Jim Wittenberg All rights reserved

chalkboard

Asemic Art: Giovanni Benedetto Castiglione: Circe Transforms Odysseus's Companions into Beasts (ca, 1651)

Notice the writing in the lower left-hand side of the frame.

plop

fremd

graffiti a oltranza

existence of grey in the cosmos

existence of grey in the cosmos
© 2015 Jim Wittenberg All rights reserved

grid

it could be the amount of sugar given

it could be the amount of sugar given
© 2015 Jim Wittenberg All rights reserved

forest

dot

wild

galaxies like this were the first to arise

galaxies like this were the first to arise
© 2015 Jim Wittenberg All rights reserved

nephyr

pure

cult-like

zero

iop

cloudpaint

http://the-euclideanfly.blogspot.nl/

resist

from a recent message by tim gaze

  
I consider Asemic 15 to complement other recent publications such as:

The Bleed 0.2 (http://www.magcloud.com/browse/issue/301356)

Alpha Bet A Test (www.amazon.com/dp/1511706058)

An Anthology of Asemic Handwriting (http://www.uitgeverij.cc/publications/an-anthology-of-asemic-handwriting/)
   
   

holster

sales

greek mythology

New issue of "Asemic Magazine" (Tim Gaze ed.)

from http://asemic-magazine.blogspot.com.au/2015/09/asemic-15.html :

After a long delay, a new edition of Asemic magazine is available, printed on demand in Adelaide, Australia, using environmentally friendly ink & papers. Price: $AU15 + postage. 

To buy: http://www.digitalprintaustralia.com/bookstore/fiction/other/asemic-15.html

Contributors: Elynn Alexander, Roberto Altmann, anonymous, Rosaire Appel, Roy Arenella, Roland Barthes, Billy Bob Beamer, Tori Bedford, Volodymyr Bilyk (Володимир Білик), Jeff Crouch, Marc van Elburg, karen eliot, Jesse Ferguson, Tim Gaze, Marco Giovenale, Rob Grant, Janet Hawtin, Christine Huber, Ronald D. Isom, Satu Kaikkonen, Evgenij V. Kharitonov (Евгений В. Харитоновъ), Eduard Kulemin (Эдуард Кулёмин), Sveta Litvak (Света Литвак), Constança Lucas, Serse Luigetti, Billy Mavreas, Willi Melnikov (Вилли Мельников), Andrei Molotiu, Sheila E. Murphy, Moulid Nidouissadan, Fernando Ocampo, Marilyn R. Rosenberg, Ruan, Shmuel, Christopher Skinner, Tommasina Bianca Squadrito, Carol Stetser, Morgan Taubert, Miron Tee, Mike Di Tommaso, Troylloyd & Emma Viguier.

A short sample (the first 6 pages) can be viewed here.

found @ badlands

http://www.badlandsunlimited.com

http://www.badlandsunlimited.com/contact.html

  

defenestration / Jakub Niedziela, 2014

Throwing signs and dices out of the windows of the paper theatre. VII 2014