Tuesday, July 24, 2012
Monday, July 23, 2012
Downhill Asemics; madness on the continuum
First;
Kurt Schwitters, step by step removes all syntactic structure from the text.
Kurt Schwitters to the Swiss Dadaist Arp. Blackberries (2)
belivered pra!
first I say why?
why does one use upper case and lower case? i use only lower case. then I say why? why does one punctuate i write everything without punctuationthen i ask why why does one use umlauts i won't be straight diacritical henceforth i will write zurich ful- fills seclusion personal carryover and then i remember the old phrase from mathematics namely that it does not matter in which order i add respect multiply and now i write vole instead of love because love needs voles to love voles and finally now will giveup the or derofwordsamongthemselvesbywritingonlyo
egiantwordorwhilemorewrotitsoladinorthog
kuwitter
*)Here the typographer went stark raving mad and threatened a general strike, should he be forced to set any more Kuhgewitter (Cowweather).
(from; Pppppp: Kurt Schwitters Poems, Performance, Pieces, Proses, Plays, Poetics )
(from; Pppppp: Kurt Schwitters Poems, Performance, Pieces, Proses, Plays, Poetics )
A next logical step towards total insanity might be to remove spacing and expression, reducing the text to a line-based grid
_____________________
__________ __________
_____________________
_____________________
_____________________
______ ______________
___________________ _
______________________
However I'd say the real difference between Crumb and Schwitters here is that Schwitters is frisky jumping up and down the continuum whereas Crumb is forever glued to a fixed point.
by
http://marcvanelburg.blogspot.nl/
see also;
https://www.flickr.com/photos/het-saptrajekt/
https://www.youtube.com/user/4398574291811/videos
http://tellab.home.xs4all.nl/
Sunday, July 22, 2012
Saturday, July 21, 2012
Thursday, July 19, 2012
Wednesday, July 18, 2012
Tuesday, July 17, 2012
Monday, July 16, 2012
Dynamics of a Shrinking Universe
- Indexicality
- Point trajectory
When I was working on these I saw this picture of Niki de Saint Phalle and Jean Tinguely and was also reading paul klee's Pedagogical Sketchbook; "an active line on a walk, moving freely, without a goal. A walk for a walk's sake. The mobility agent is a point, shifting its position forward" I thought mobility agent was an interesting term because it is like a kind of trick to avoid getting too much into the psychology of the artist. Somewhat similar to what Niki de Saint Phalle is doing when she shoots at the painting.
In a way they are both dealing with agency and the boundaries between the artist and the art.
( I also got interested in the word 'agency' because it doesn't translate very well in Dutch.)
So in the works above the mobility agent would be the pictureplane.
Sunday, July 15, 2012
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