Sunday, March 22, 2020
Thursday, March 19, 2020
Wednesday, March 18, 2020
Monday, March 16, 2020
Monday, March 2, 2020
Friday, February 21, 2020
Monday, February 17, 2020
Portrait of Edoardo Sanguineti.
From RIOT'S PART, by massimo sannelli. Foreword by Silvia Marcantoni Taddei
Sunday, February 16, 2020
Wednesday, January 15, 2020
Monday, January 13, 2020
Saturday, December 28, 2019
The New Post-literate: A Gallery Of Asemic Writing: ASEMIC: The Art of Writing by Peter Schwenger is a...
The New Post-literate: A Gallery Of Asemic Writing: ASEMIC: The Art of Writing by Peter Schwenger is a...: ASEMIC: The Art of Writing By Peter Schwenger University of Minnesota Press | 192 pages | December 2019 ISBN 978-1-5179-0697-9 | p...
Friday, November 22, 2019
do not trust incomplete essays about asemic writing
To critics, asemic writers, essayists, curators, journalists and all the people dealing with the *recent* history of asemic writing:
DO NOT trust incomplete essays, poor bibliographies and books or –generally speaking– texts improvised by authors who pretend to make important & complete/vast surveys while they actually do not mention important web pages, mag articles, projects, personal and collective exhibits, blogs and groups which have been flourishing everywhere in the recent –say– two decades.
I find an astonishing lack of data in –poorly written– Italian essays I’ve recently read (on line and in books), so I want to strongly point out there’s no space for amateurishness, narcissism and ignorance when talkig about the work of thousands of authors. One cannot mention them all, yes. But it’s impossible to forget some basic elements and fundamental sites and texts.
It’s not possible to ignore Jim Leftwich’s thousand pages about asemics, the work of Peter Ganick, Miron Tee, Jukka-Pekka Kervinen, Karri Kokko, Rosaire Appel, Lina Stern, Riccardo Cavallo, Roberto Cavallera, Marc van Elburg, Valeri Scherstjanoi, Jay Snodgrass, Miriam Midley, Bruno Neiva, Jeff Hansen, Orchid Tierney, and a bunch of other artists, or Tim Gaze’s Asemic Editions (http://asemic-editions.blogspot.com/) or Avance Publishing (http://avance.randomflux.info/), or DeVillo Sloan’s work (at IUOMA etc) and with https://asemicfront.wordpress.com/, or Cecil Touchon’s sites http://asemics.com/ and https://ceciltouchon.com/, or Michael Jacobson’s http://thenewpostliterate.blogspot.com/, or the AsemicNet founded in 2011 by me and others, https://asemicnet.blogspot.com/ (& related link pages), or https://gammm.org, or the asemic googlegroup https://groups.google.com/forum/?hl=it#!forum/asemic, or the Mycelium samizdat (first of all: https://it.scribd.com/doc/294236718/Without-Words-Exhibition-Catalogue), or Gleb Kolomiets’ “Slova”, or Mark Young’s “Otoliths”, or Timglaset, Utsanga, or the most important facebook group of asemic writing, The New Postliterate, https://www.facebook.com/groups/76178850228/, and many others, e.g. Arte Asemica (https://www.facebook.com/groups/1642082306096440/), Asemic Reading (https://www.facebook.com/groups/1646865992070563), Asemic New Babylon (https://www.facebook.com/groups/895027887247653/), Extreme Writing Community (https://www.facebook.com/groups/202128996613211/), Writing Against Itself (https://www.facebook.com/groups/1208959535830352, founded by Jim Leftwich), or Quimby Melton’s site SCRIPTjr, http://scriptjr.nl/, or the items one can found perusing tags & categories here and there, e.g. in https://slowforward.net/tag/asemic/, https://slowforward.net/category/asemic/, https://slowforward.net/tag/scrittura-asemantica/, http://liquidocomoeltiempo.blogspot.com/search/label/ESCRITURA%20AS%C3%89MICA, or the amount of vids one can find in YouTube or Vimeo, or the tons of interviews hosted on line. Or lots of tumblr blogs, the findings at Pinterest, or the images and infos Twitter spreads every day.
Not to mention the bibliography on paper (Asemic Magazine first: …take a look at https://asemicnet.blogspot.com/p/mags-groups.html and http://asemic-magazine.blogspot.com/).
Well… Yes: the steps of an asemic path can be traced back to the first years of the 20th century. It will be a hard job. Years of hard study.
But one can of course focus on the new authors and mags only, and still face an impressive amount of documents, on line stuff, archives.
Do not tolerate people who (deliberately) ignore them.
This is what I wanted to say. Plain and simple.
DO NOT trust incomplete essays, poor bibliographies and books or –generally speaking– texts improvised by authors who pretend to make important & complete/vast surveys while they actually do not mention important web pages, mag articles, projects, personal and collective exhibits, blogs and groups which have been flourishing everywhere in the recent –say– two decades.
I find an astonishing lack of data in –poorly written– Italian essays I’ve recently read (on line and in books), so I want to strongly point out there’s no space for amateurishness, narcissism and ignorance when talkig about the work of thousands of authors. One cannot mention them all, yes. But it’s impossible to forget some basic elements and fundamental sites and texts.
It’s not possible to ignore Jim Leftwich’s thousand pages about asemics, the work of Peter Ganick, Miron Tee, Jukka-Pekka Kervinen, Karri Kokko, Rosaire Appel, Lina Stern, Riccardo Cavallo, Roberto Cavallera, Marc van Elburg, Valeri Scherstjanoi, Jay Snodgrass, Miriam Midley, Bruno Neiva, Jeff Hansen, Orchid Tierney, and a bunch of other artists, or Tim Gaze’s Asemic Editions (http://asemic-editions.blogspot.com/) or Avance Publishing (http://avance.randomflux.info/), or DeVillo Sloan’s work (at IUOMA etc) and with https://asemicfront.wordpress.com/, or Cecil Touchon’s sites http://asemics.com/ and https://ceciltouchon.com/, or Michael Jacobson’s http://thenewpostliterate.blogspot.com/, or the AsemicNet founded in 2011 by me and others, https://asemicnet.blogspot.com/ (& related link pages), or https://gammm.org, or the asemic googlegroup https://groups.google.com/forum/?hl=it#!forum/asemic, or the Mycelium samizdat (first of all: https://it.scribd.com/doc/294236718/Without-Words-Exhibition-Catalogue), or Gleb Kolomiets’ “Slova”, or Mark Young’s “Otoliths”, or Timglaset, Utsanga, or the most important facebook group of asemic writing, The New Postliterate, https://www.facebook.com/groups/76178850228/, and many others, e.g. Arte Asemica (https://www.facebook.com/groups/1642082306096440/), Asemic Reading (https://www.facebook.com/groups/1646865992070563), Asemic New Babylon (https://www.facebook.com/groups/895027887247653/), Extreme Writing Community (https://www.facebook.com/groups/202128996613211/), Writing Against Itself (https://www.facebook.com/groups/1208959535830352, founded by Jim Leftwich), or Quimby Melton’s site SCRIPTjr, http://scriptjr.nl/, or the items one can found perusing tags & categories here and there, e.g. in https://slowforward.net/tag/asemic/, https://slowforward.net/category/asemic/, https://slowforward.net/tag/scrittura-asemantica/, http://liquidocomoeltiempo.blogspot.com/search/label/ESCRITURA%20AS%C3%89MICA, or the amount of vids one can find in YouTube or Vimeo, or the tons of interviews hosted on line. Or lots of tumblr blogs, the findings at Pinterest, or the images and infos Twitter spreads every day.
Not to mention the bibliography on paper (Asemic Magazine first: …take a look at https://asemicnet.blogspot.com/p/mags-groups.html and http://asemic-magazine.blogspot.com/).
Well… Yes: the steps of an asemic path can be traced back to the first years of the 20th century. It will be a hard job. Years of hard study.
But one can of course focus on the new authors and mags only, and still face an impressive amount of documents, on line stuff, archives.
Do not tolerate people who (deliberately) ignore them.
This is what I wanted to say. Plain and simple.
Thursday, November 7, 2019
Wednesday, September 18, 2019
I'm getting the Post-Asemic Press web site up and running and other PAP news!
Click here to visit the new shop: https://post-asemicpress.com/
I will still use the blog for more in-depth information about PAP. But I am getting to the point where the blog was becoming too over crowded, and I just needed some more (cyber)space, along with creating a more user friendly experience for readers/viewers.
In other news:
Magazine: The Cut-Up Asemics by Scott Helmes will be published in early November of 2019. Scott and I are going to enter it into the 2019 Minnesota book awards. There will be more info about this title in the coming weeks. But it's basically cut-up magazine letters combined with expressive asemic calligraphy.
I also interviewed Marilyn R. Rosenberg about her new book FALSE FICTION FRACTURED FACT ALTERED. It will appear in the next issue of Utsanga. In the interview we discuss book art, her life, and her asemic calligraphy works.
The Cecil Touchon Asemic Reader is out now! It's one of the best books ever published coming from the asemic movement! It visually dances for the eyes and the mind, and summarizes Touchon's unique artistic career in asemics dating all the way back to the 1970s. It's the first full color work to be published by PAP, and It's available around the world at Amazon, and will be available soon in October 2019 at the shop at Minnesota Center for Book Arts.
Looking with clear eyes into spring of 2020, PAP will be releasing GLITCHASEMICS by Marco Giovenale. It's a fantastic work of glitched asemic writing displayed in full color. The book will also contain an extensive foreword by Michael Betancourt discussing Giovenale's unique blending of asemic poetry and glitch art. Expect it to drop from PAP in April 2020.
That's all! Happy reading!
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