oosjert / EZE, 2023

 

Asemic Engagement with Ab-Sen(c/s)e / EZE, 2023

Asemic Engagement with Ab-Sen(c/s)e

Notes on the Aesthetics of Merleau-Ponty

Klee on the Unseen

Merleau-Ponty formulates with remarkable precision the primary ontological theme: "What is proper to the visible [le propre du visible] is to have a layer of an invisible in the strict sense, which it renders present as a certain absence." It is this occult, secluded layer of invisibility that painting renders visible, that—in the words of Klee that Merleau-Ponty pieces together—painting annexes to the visible. It is because of painting’s engagement with this invisibility, which, while of the visible, also lies outside the realm of visible things, that Merleau-Ponty is led finally to what he calls the ontological formula of painting. The formula consists of words, written by Klee in 1916, that were inscribed on his tomb. They bespeak painting’s engagement beyond the here and now of visible things. Merleau-Ponty cites them in French translation: "Je suis insaisissable dan l’immanence." In Klee’s German the formula reads, "Diesseitig bin ich gar nicht fassbar" ("I cannot be at all grasped on this side, in the here and now"). [from "Freeing the Line" by John Sallis in Merleau-Ponty at the Limits of Art, Religion, and Perception]

signs and wonders

Asemics opens up the invisible as instantiations of meaning and of unmeaning, this, where the invisible reveals itself as statistical possibilities and as gap between.

On Eye and Mind

Seen and Not Seen

Thinking the Visible 

Making Science and Engineering Pictures

Spur to Interpretation

trertoorte / EZE, 2023

 

ertoorte / EZE, 2023

 

osjert / EZE, 2023

 

osfert / EZE, 2023

 

Asemic Science? A Map of the Brain / nature.com, 2023

from nature.com: Largest Map of the Human Brain Thus Far

 Where Are the McDonalds? (Same Link as Above, but with an Asemic Preface)

What is the Theme Music?

ufert / EZE, 2023

 

either neither / EZE, 2023

 

over here over there over here / EZE, 2023

 

Metamodern Asemics / EZE, 2023

 Metamodern Asemics

Declaration

Robin van den Akker and Timotheus Vermeulen Discuss Metamodernism

An Asemic Turn?

Be Brief

Toward Process Ontology

Wait, There's More!

Art-Ed

Meaning?

Signal Salad Semiotics

Neoplatonism

Meaning as Communal

Language as Problem

Discuss

La La La

Getting Metamodernism Closer to Asemics 

with Such Terms as Walllessness and Borderlessness

The Future of Theory

Not John Jacob Jingleheimer Schmidt

On Absolute Disruption

On The Future of Theory

Serious

Metamodern

Art Guide

Model

On Wikipedia

Metamodern Journal

M

Semiotics Guise

Obsession

Worldview and The Future of Theory

Linguistic Turnstile

Meaning Making

Sunday in the Park with Theory

...

A Note on Time Decay

And Decay Theory 

Doped

Voicecraft

is here there / EZE, 2023

 

The Words of the Prophets Are Not Words

 

Jeff Crouch's excellent words for my photo.... and would like to point out its similarity to Helix Nebula (photo NASA) for your end of year solar holiday....

Kitsch Asemic / EZE, 2023

Erik J. Larson on Kitsch

 Kitsch

Asemic at the End of the World

Whither Knowledge?

And Other Kitsch

Philosophy of Kitsch

Kitsch ~ Art

An Adorno-ment of Bloch

Glitchy-Kitschy AI

And a Features List of Metamodern Aesthetics

Where

Asemics Is Not (Yet) Included, But ~Pastiche~, a Cousin of Kitsch, Is

Metamodern Aesthetics

~ Under Investigation ~

(Science as Kitsch?)

The Object(s) of Federico Federici 

asemic line drawing