Sunday, October 12, 2025

joj / EZE, 2025


 

Rationality Asemics / EZE, 2025

Definitions and Relations

Reason

Knowledge from Reason

On Rationality

Logic

Rationality

Rationality

Rationality

Rationality

Rationalism

Rational Choice Model

Rational Behavior


History and Such

An Overview of Rationalism

Rationalism in Aristotle

Rationalism in Aristotle

Rationalism in Aquinas

Rationalism in Continental Philosophy

Continental Rationalism

Rationalists

Rationalism in Descartes

Rationalism in Descartes

Rationalist Movement

Rationalism versus Empiricism

Critical Rationalism

Rationalism in Objectivism

Rationalism in Rand

Rationalism, The Movement

Reliabilist Epistemology

Rationalism in BonJourIn Defense of Pure ReasonA Rationalist  Manifesto


Recent Trends

New Rationalism

Rational Choice Theory

On Rational Behavior


Asemics

Misapplication

Myth

Overconfidence

Fallacy

Language Problem

Rationality, Rationalism, and Rational Behavior

Rationalism Refuted

Problems with Rationality

Cultural Disconnect


Asemics by Limit

Limits of Rationalism

Limits of Rationality

Limits of Rationality

On Assumptions of Rationality

Cognitive Limits

Limitations of Rational Choice Theory


Asemics by Undefinition

Between Rational and Irrational

Between Behaviorist Economics and Rationalist Economics


Monday, October 6, 2025

Collage as Asemic Practice / EZE, 2025

On Collage

Collage

Collage

Collage

Collage often breaks the totality of representation by interrupting the expectation that image concerns singularity.

The genre-unified image of the collage typically reveals itself as more than the representation of a single image: it reveals itself, instead, as a shift in images or as a shift across images. 

Collage often breaks the totality of representation by interrupting its unified construct of time, especially the sense that the image occupies space and time only as a single moment, thereby introducing multiplicity where one-ness is expected, especially where this one-ness is a genre-identified type of presentation. 

The collage is typically a series of layers, which appear as un-unified and/or as differing over time, but which are encapsulated (and thereby unified) in the singularity of the presentation. The presentation, other than the time it takes for its audience to assess it, remains somewhat, but not entirely, fixed. Yet it is though this difference in image that the collage calls the supposed fixity of its own presentation into account.

Collage is an un-fixer of image.

Collage is drift.

Collage is an un-fixer of image-time as a single moment.

Collage un-fixes representation, making representation incomplete.

Collage is an obvious cover-up of gap.


History of Collage

Pre-Cubist Collage

Cubism

Cubism

Cubists

Georges Braque

Braque

Braque

Pablo Picasso

Picasso

Picasso


Collage Asemic

Cecil Touchon

Paper

Collage Art and Ergonomics

Through a Circular or Spiral Motion - For Jim Leftwich

Jim Leftwich

Collages

Collages


Writing as Collage Process

In art, collage often breaks the totality of representation by calling attention to its multiplicity. 

What Makes Writing Identifiable as Collage?

On Writing as Collage

Writing as an Artistic Process, Inferred

Collage and Assemblage

Collage, Montage, Assemblage, and Bricolage

lub / EZE, 2025