no title - Johannes S. H. Bjerg

 

Johannes S. H. Bjerg
2017

Gestos Caligráficos / Miriam Midley, 2017

Gestos Caligráficos / Miriam Midley, 2017

cluck / EZE, 2017

slogan / EZE, 2017

underscar / EZE, 2017

tusk / EZE, 2017

game voice / EZE, 2017

pre-vu {1&2}

without saying / EZE, 2017,

arrit / EZE, 2017

harrit / EZE, 2017

m / EZE, 2017

abridged / EZE, 2017

righters block ACME

vust / EZE, 2017

stad / EZE, 2017

dith / EZE, 2017

greed / EZE, 2017

lovely / EZE, 2017

perk / EZE, 2017

huw / EZE, 2017

tin / EZE, 2017

riccardo cavallo : caroriki

segmented / EZE, 2017

Gestos Caligráficos- Miriam Midley, 2017

grammar by clothesline / EZE, 2017

AlphaBot Derivative - 2017 - Painting 2.2m x .85cm

TAW (true asemic writing) of the moment, Floriana Rigo

golden name / EZE, 2017

medic / EZE, 2017

stitch / EZE, 2017

riccardo cavallo : asemic opeb

crec / EZE, 2017

etch / EZE, 2017

Gestos Caligráficos - Miriam Midley, 2014

nay / EZE, 2017

talf / EZE, 2017

riccardo cavallo : asemic rr

fade / EZE, 2017

BLOK1&2

1. 

1. 

Johannes S. H. Bjerg

Translating Paint by Anneke Baeten: Book Trailer

             
           

Book Trailer for Translating Paint by Anneke Baeten (Post-Asemic Press #005).

The trailer was kindly created by Paul A. Toth. http://paulatoth.com/

https://youtu.be/PMz-ZWlkKh8

“Attempting a Code for Interpretation,” this is how Translating Paint starts! In the beginning there are 24 brush strokes. They are possibly a clue to the process of asemic translation for the work that follows this one mysterious page. Translating Paint is an ongoing series of asemic work that represents language, conversations, decoding, dialogues, and sometimes a process of finishing sentences with paint. This series shows the potential of discourse with paint, with its strokes, scrapings, and its endless forms. This work meanders through a series of creative processes - from drawing the paint strokes, to creating the writing around and in the shapes, assigning a title to the work and finally photographing the work from the best possible angle to provide the viewer a possible close-up perspective on the nature of the dialogue. As the author regularly continues work on this series, the product so far is this collection over 200 pages. Leafing through this universe, the viewer is invited to create their own decoding of the pieces or to simply enjoy the aesthetics. It will be easy to get lost in the black bleed pages where the white asemic work appears as if it emerges from a quiet and dark universe that has no context or meaning. Finally, there is the final stage in the process – the viewer’s interpretation.

Click here for more info: http://postasemicpress.blogspot.com/2017/07/translating-paint-by-anneke-baeten-with.html

yu / EZE, 2017